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, On the 6 th of April 2010, I had asked them the following 15 questions by email. 1. How many videos are uploaded each day? 2. How many videos are downloaded each day? 3. Can you keep track of where people mainly embed their videos? 4. How many are empty accounts? 5. How many groups are there? 6, 2009.
, Since there are no advertisements, how does the site make economic profit? 15. How are the deals with the telecom operators done? Probably due to the company's confidentiality, or being symbolic of a lack of interest in academic research, or perhaps an illustration of the weak links between academia and this specific mobile company
, one of Meng's answers was: "I am afraid I cannot answer that question as we are unable to divulge such information as of now to our users, 2009.
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, A killer app is an app that is so necessary or desirable that it proves the core value of some larger technology, such as mobile devices can be. By extension I use this concept to visual apps
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, Emphasis added. What I call the swipe logic will be analyzed in detail in chapter four
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, I use the word teasing, understanding it as a sort of game
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, Sometimes both of these solutions overlap, ending in very special, beautiful and meaningful result for each participant
, With the double coded photo Xtof had sent, the implicit/implied notion was that he was very hot. And yet again the word hot being polysemic, interpretations were multiple. Besides, that August day in Paris, the weather was particularly scorching, and the temperature hot, so the ambiguity was enhanced by the climate context. The partner teasing dialogue was favored through the images 756 but in its meteorological circumstance. One could have imagined him taking off his clothes, and then taking the photo naked and sweltering in the heat
, Melted [MMS and SMS exchange between Xtof and Gaby, 2011.
,
, Mediating Intimacy: designing technologies to support strong-tie relations, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, pp.471-480, 2005.
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, Also called "dick pics
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, Selfies Introduction ~ What Does the Selfie Say? Investigating a Global Phenomenon, International Journal Of Communication, vol.9, p.1589, 2015.
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, The Body as an Object of Design. Our Pixilated Eyeballs Course, The Visual Media Workshop, Class Lecture. On line, 2015.
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, Retrieved from Cruz and Miguel, 791 as well as by Tiidenberg and Gómez Cruz, 792 for intimacy construction and negotiations. Nishant Shah goes beyond the instances of revenge and non-consensual pornography to look the phenomenon of "selfie-shaming" and women's problems of consent and agency online. 793 Gender and female related issues can be understood through a selfie's optic, as in the motherhood case in Boon et al., 794 and in another piece of Tiidenberg's research, when studying the presentations of femininity in Russian-Speaking pregnant women's Instagram accounts. 795 From life to death, selfies at funerals is a topic that has stirred a lot of media sensation, Journal of Psychosocial Research on Cyberspace, vol.8, issue.1, p.796
, demonstrate, morality and authenticity can be examined through studying selfies too
, Gunthert is also interested in the discourse constructed around selfies, Like Burns
, Teenagers' use of selfies has been analyzed by countless scholars
, Allard 799 who develops the idea that the selfie is a tool for personal and self-expression
, In fact, making, sending and receiving selfies can also represent learning how to be ludic among friends, as I have argued with regard to ephemeral teenager Snapchat
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, Ou pourquoi il ne faut pas prendre les selfies pour des profile pictures, 2014.
, Public Private, Mobile and digital communication approaches to public and private, pp.79-100, 2015.
, The Selfiecity study
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, Black Lives Matter is an American movement that started after the July 2013 exoneration of George Zimmerman in the Florida shooting death of African-American teen Trayvon Martin. It received fresh impetus from the 2014 shooting of Michael Brown, an African-American teen. The movement has received worldwide media attention, Selfie Citizenship: Visibility, control and the mediated self, 2015.
, Selfies, The Selfie of the Year of the Selfie: Reflections on a Media Scandal, International Journal Of Communication, vol.9, 2015.
, Selfies, Empowering the Marginalized: Rethinking Selfies in the Slums of Brazil, International Journal Of Communication, vol.9, 2015.
, Selfies, #NaMo: The Political Work of the Selfie in the 2014 Indian General Elections, International Journal Of Communication, vol.9, 2015.
, Vote for my selfie: Politician selfies as charismatic leadership, keynote at the Selfie Citizenship workshop, The Shed/Digital Innovation, 2015.
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, I refer to the swipe logic as something that demands just a firm, decisive, micro-action
, In this section I ask: How are these hook up apps worked by users? To what extent does the curated selfie contribute and influence the swipe logic of appearance and disappearance? One of the places where selfies can be seen most is in online dating app profiles. Strongly image based, many of these apps propose the act of swiping to decide if the profile pleases or not. Once again, this logic began a long time ago with FaceMash, Easily done with one only finger, browsing and swiping belong to the "slide to unlock" convention seen on the mobile screen when we want to start using our mobile device
, As years passed, many other similar online dating sites continued to emerge, as for example, Meetic.com, Match.com, etc. But, it was six years after FaceMash, in 2009 -with the continued roaring success of digital photography, 3G and the app boom -that Grindr, a mobile location-based real-time dating (LBRTD) app appeared and cause the market to explode. The men-who-have-sex-with-men (MSM) app's logic is based on two parameters. One is geolocalization, users set a distance frame to meet people who are near; and the second, once that frame is set, they choose to meet someone that appeals to them from these local profiles, Top 10 dating websites, but it was mainly oriented towards desktops, p.815, 2009.
, The website allowed visitors to compare two student pictures side-by-side and let them choose who was "hot" and who was "not". Facebook's Wikipedia page
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, Mobile Interfaces in Public Spaces: Locational Privacy, Control, and Urban Sociability, 2012.
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, Could This Dating App Be India's Take On Tinder?, Forbes, 2015.
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, Remediating the matchmaker, arranging marriage online in the south Asian diaspora in America, Online Courtship, Interpersonal Interactions Across Borders, pp.117-132, 2015.
, Seeing and being seen: Co-situation and impression formation using Grindr, a location-aware gay dating app, New Media & Society, pp.1-20, 2014.
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, Identity, Identification and Identifiability: The Language of Self-Presentation on a Location-Based Mobile Dating App. Social Networks & Input and Interaction MobileHCI, pp.3-12, 2014.
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, Did the fact of screening Porte de Choisy publically change your couple relationship?
, Did the couple as such (re)view the film later, when, how?
, Have you made any other films of Cloé?
, Are you still together?
, Did you encounter any other type of audiences? Where? How did they react towards the film? How was the reception feeling?
, Did you raise money for your second film from screening Porte de Choisy?
, What was the technique used to shoot your second film? Why did you change?
, Do you feel your second film has the same spirit, style or line of thoughts than Porte de Choisy has?
, Since when? 3. How often do you Snapchat? 4. How would you describe your Snapchat use? It is all about experience? 5. What is your worst/best experience with SMS/MMS? 6. Have you ever had regret feelings of having sent something through SMS or MMS
, Have you ever regretted not being able to save a Snapchat
, belong to, or image sharing practices you have?
, Is there any Snapchat story or anecdote you'd like to share with us? 10. Why do you use Snapchat? 11. After using Snapchat
, Suppose that you were in charge of the amelioration of Snapchat and could make one change that would make the app better